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20 Sequential Concept-Based Lessons
with 9 songs each and 3 different play-alongs for each song, built for 39 different instruments

It's taken some time, but the 21,060 MP3 files and 7020 Finale files are completed for the DLP Jazz Series 1!!

We are now; creating Lesson concept images, building quizzes, developing exercises for you.

But, maybe even, more importantly... we're developing a social media side of DLP where you can interact with other users and DLP staff as you are using the curriculum!  
Having trouble with a song?  Post a question and another user and/or DLP staff will reply
Post videos of you playing a song, and then see other users play the same song.
Not understanding a concept?  Ask, and someone will reply to the running comments on another way to think about it.

This is Jazz Education for the 21st century, and it's coming to your home, your phone, your tablet..... later this year.

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We're thrilled to host the monthly Dallas Jazz Piano Society concerts.  It's been an incredible series and we've had the opportunity to hear some incredible musicians.  The bar gets raised this Monday night. (2/27 at 7 PM)

Legendary Bassist Eddie Gomez will play "The Music Of Bill Evans" with Pianist, Stefan Karlsson and Drummer, Ed Soph.  Eddie was a member of The Bill Evans Trio from 1966-77.
Legendary bassist EDDIE GOMEZ has been on the cutting edge of music for over four decades. 
The Latin GRAMMY® award-winner’s impressive resumé includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz,rhythm & blues, popular and contemporary music. In popular music, Eddie has performed and recorded with artists such as Bobby Darin, Tim Hardin, Carly Simon, Art Garfunkel, Mark Knoffler, Michael Franks, Judy Collins and Jennifer Holliday. He has also been a member of “The Gadd Gang,” Steve Gadd’s All Star R&B/jazz band.Proceeds of the Concert benefit the DJPS open concert series and the “Keys for Kids” educational venture that supports piano lessons and digital keyboards for the underprivileged.  Proceeds will be matched by the Donachie Foundation.  Please come and contribute to this effort.    

Eddie Gomez, Chick Corea and Paul Motian recently did an album featuring the music of Bill Evans.  Here's some clips from that;
 
 
Our Jazz Series should be ready this Spring.  We're very excited about it and think it will have a great impact on musicians learning to improvise in all styles.  We're also thrilled to hear from so many of you that our anxiously awaiting it to be available.

I enjoy playing many styles of music and I wanted our Jazz Series to allow musicians to improvise over a wide variety of "grooves".  Of course, there will be plenty of Swing songs, but these examples give some ideas of what you'll have as play-alongs.

AFRO CUBAN GROOVE 
You can also stream this at:http://soundcloud.com/helloindiacalling/dlp-jazz-series-preview-lesson 


MODERN TRACK (not sure how to describe this one, but I like it)
You can also stream this track at:   http://soundcloud.com/helloindiacalling/dlp-jazz-series-preview-modern 


JAZZ WALTZ
You can also stream this track at:  http://soundcloud.com/helloindiacalling/dlp-jazz-series-preview-track  


BALLAD
You can also stream this track at: http://soundcloud.com/helloindiacalling/dlp-jazz-series-preview-1 


FUSION
 
 
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I started recording songs for Lesson 20 of the Jazz Series today.  The DLP curriculum is always organized in groups of 20 lessons, so this is kind of the end of a series that has been my focus for several years. Lesson 20 is Jazz Standards- Volume 1 so the focus is on standard Jazz forms (AABA, Blues, ABAB etc) and it's interesting to write new melodies to some standard forms and chord progressions.  This is common practice all through the history of Jazz.  "Donna Lee" is a new melody on the chords of "Indiana".  The melody of "St. James Infirmary" morphed into "Sugar".  But it goes further than that.  The I IV V progression so commonly used by Beethoven and Mozart is the same I IV V progression used by Jerry Lee Lewis or Mumford and Sons.  The musical language always remains the same.  What we create from it changes.

So, coming to the end of this chapter is a little sad for me.  But that passes very quickly as I start hearing students at DSM playing the songs and talking about the concepts.  It's even more exciting to see videos come in from all over the world of people I've never met playing the songs. This is a very moving thing.  Besides, I have 40 more lessons of songs to write for the Kore Series and 40 more lessons of songs for the Jazz Series still.  I think I will remain busy creating music, which I love to do.

 
 
Our plans with the DLP Jazz Series are to help you learn the language of music.  Music, like all languages, has an alphabet, a grammar and set structures.  You need to have an understanding of these concepts to communicate and create ideas in this language.  This sounds like a daunting take, but it's not really and we're looking forward to helping you learn to improvise.

But then, the next step is.... What to do once you have all of this knowledge. 
How do I create music that communicates ideas, that reaches listeners, that makes other musicians want to play with me?

Listen

Listening to what other people in your group play and reacting to that are a key component of being a musician in all styles.  Be a part of the ensemble, accept and play off of each others ideas.  This is when magic happens on a bandstand.

Here's a great TED talk on that topic by Stefon Harris, titled, "There Are No Mistakes On The Bandstand"


http://www.ted.com/talks/stefon_harris_there_are_no_mistakes_on_the_bandstand.html  
 
 
The DLP Jazz Series will be released in early 2012. Once in a while when we're describing the Kore Series or Jazz Series to a potential new user they'll ask, "Will I be learning REAL songs in here or just exercises?".  The answer is, we believe, that these are real songs BUT that they are also songs that function as exercises to review ONLY the concepts you have learned up to that point.  They are songs built specifically for where you are in your musical learning and for where you are in your technical development on your instrument at this time.

So, from a concert I did this past Monday (12/12/11) are 2 songs from the upcoming DLP Jazz Series.  These feature; myself on Keyboards, Jennifer Escue (from the DLP Staff ) on Vocals, Jeff Plant on Bass, Larry White on Steel Guitar and Lamont Taylor on Drums.

I hope you enjoy these songs